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มิกเซอร์ YAMAHA MGP24X 24-Input Mixer

Name: มิกเซอร์ YAMAHA MGP24X 24-Input Mixer
Price: 60000.00 THB
Availability: InStock

เครื่องผสมสัญญาณเสียง YAMAHA MGP24X 124-ชาแนล input 16 Mic input (16 mono + 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 16 Mic Inputs with 48V Phantom Power and HPF per Channel

ราคาไม่รวมภาษีมูลค่าเพิ่ม

~~฿75,000.00~~ ฿60,000.00

สอบถามและสั่งซื้อสินค้า

Category: อนาล็อคมิกเซอร์ (Analog Mixer) Tag: YAMAHA

Description

YAMAHA MGP24X 24-Input Mixer

เครื่องผสมสัญญาณเสียง YAMAHA MGP24X 24-ชาแนล input 16 Mic input (16 mono + 4 stereo), 6 AUX Sends + 2 FX Sends, 4 GROUP Buses + ST Bus, 16 Mic Inputs with 48V Phantom Power and HPF per Channel

The MGP24X 24-Channel Analog Mixing Console with DSP Effects from Yamaha is a 24-track analog mixer with digital control and features 16 D-Pre microphone preamps, 24 line inputs, 6 auxiliary inputs, and 2 effects sends. It is designed for use in live sound environments, including clubs and houses of worship. Each channel has Yamaha’s X-pressive 3-band equalizer and 1-Knob compressor, allowing channel-independent frequency and dynamic control.

The MGP24X has an integrated DSP Hybrid Channel section that includes 3 types of reverb and 16 effects, as well as auto-ducker and auto-leveler functions that allow for hands-off monitoring of sources.

The digital portion of the MGP24X also allows for iPhone and iPod touch control of a variety of parameters via the free MGP Editor app. You can also playback music from your iTunes catalog via the iOS input USB port, freeing up an analog input on the console. A second USB port allows you to record your live performance directly to external USB media, as either a stereo WAV or MP3 file.

Features:

D-PRE discrete Class A microphone preamps with inverted Darlington circuit design
X-pressive EQ gives you the warmth and musicality of classic vintage EQs
Intelligent 1-knob compressors add optimally set compression to a wide variety of input sources
Simple, analog-style control of sophisticated DSP functions
Traditional analog feel with the functionality that only digital technology can offer
Stereo Hybrid channel is a new way of approaching sound reinforcement in the digital age
Priority Ducker lets a microphone to take priority over another sound source automatically
Leveler “auto levels” tracks from a sound source that varies in volume
Stereo Image seamlessly narrows the spectrum, so widespread audiences hear an accurate mix
REV-X reverb gives you 3 incredible-sounding, high-resolution reverbs
Yamaha’s acclaimed SPX digital multi-effects processor with 16 advanced digital effects
New 31-band graphic equalizer processing on the stereo bus
USB port to connect your iPod or iPhone for easy playback with a single connection
Metal chassis for rugged professional durability
Internal universal power supply lets you plug in with confidence in any region with 100V to 240V

Specifications

Input / Output
Inputs	16x Mic level XLRs 16x Line level 1/4″ (6.35 mm) TRS 4x Stereo line level 1/4″ (6.35 mm) TRS 16x 1/4″ (6.35 mm) TRS Inserts 1x 1/4″ (6.35 mm) stereo Return
Input Sensitivity	For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Ω Mics Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Ω Mics Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω LinesStereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω LinesMono Channel Inserts, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV), for 600 Ω LinesStereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV)Talkback Input, Actual Source Impedance 10 kΩ: -66 dBu (0.389 mV), for 50-600 Ω Mics
Nominal Input Level	For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Ω Mics Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Ω Mics Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Ω LinesStereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines Line Level @ 10 dB: 10 dBu (2.45 V), for 600 Ω LinesMono Channel Inserts, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω LinesStereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines Talkback Input, Actual Source Impedance 10 kΩ: -50 dBu (2.45 mV), for 50-600 Ω Mics
Maximum Input Level	For Mono Inputs, Actual Source Impedance 3 kΩ: Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Ω Mics Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Ω Mics Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω LinesStereo Channel Input, Actual Source Impedance 10 kΩ: Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω LinesMono Channel Inserts, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω LinesStereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines Talkback Input, Actual Source Impedance 10 kΩ: -30 dBu (24.5 mV), for 50-600 Ω Mics
Outputs	1x XLR Stereo out (L,R) 6x XLR auxiliary sends 16x 1/4″ (6.35 mm) Channel insert outputs 1x 1/4″ (6.35 mm) Monitor out (L,R) 4x 1/4″ (6.35 mm) Group out 1x 1/8″ (3.5 mm) headphones out 1x 1/4″ (6.35 mm) Stereo insert (L,R) 2x 1/4″ (6.35 mm) Matrix outs 1x XLR Mono out
Nominal Output Level	Stereo Out (L,R): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Mono Out: 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Group Out (1 to 4): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines) Matrix Out (1,2): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines) Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines) Monitor Out (L,R): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines) Phones Out: 3mW @ 150 Ω (for use with nominal 40 Ω phones)
Maximum Output Level	Stereo Out (L,R): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Mono Out: 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Group Out (1 to 4): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines) Matrix Out (1,2): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines) Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines) Monitor Out (L,R): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines) Phones Out: 75 mW @ 150 Ω (for use with nominal 40 Ω phones)

General
Total Harmonic Distortion	0.02% (20 Hz to 20 kHz, 14 dBu)
Frequency Response	20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz
Crosstalk	-74 dB @ 1 kHz
Power Supply	100 to 240 V, 50/60 Hz
Power Consumption	76 W, maximum
Dimensions (W x H x D)	32.2 x 6.7 x 22.2″ (819 x 169 x 565 mm)
Weight	34.2 lb (15.5 kg)