เครื่องผสมสัญญาณเสียงดิจิตอลมิกเซอร์ PreSonus StudioLive RM32Ai, 52×34 direct digital FireWire recording interface, 25-bus digital mixer with up to 96 kHz operation, Complete solution Includes Capture live-recording software and Studio One Artist DAW for Mac and Windows
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฿65,900.00 ฿65,000.00
เครื่องผสมสัญญาณเสียงดิจิตอลมิกเซอร์ PreSonus StudioLive RM32Ai, 52×34 direct digital FireWire recording interface, 25-bus digital mixer with up to 96 kHz operation, Complete solution Includes Capture live-recording software and Studio One Artist DAW for Mac and Windows
The PreSonus StudioLive RM32AI 32-channel, 25-bus, rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RM32AI mixers are expandable up to 64 channels, flawlessly integrated with state-of-the-art software, and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.
PreSonus StudioLive RM-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad. Musicians control their monitor mixes onstage with QMix®-UC for iPhone®/iPod® touch.
Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture™. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RM-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Microphone Preamp |
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Input Type | XLR Female, balanced, locking |
Frequency Response to Direct Output (at unity gain) | 20-40 kHz, ±0.5 dBu |
Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
Input Impedance | 1 kΩ |
THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
Gain Control Range (±1 dB) | 0 dB to +65 dB |
Maximum Input Level (unity gain) | +22 dBu |
Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
Tape Inputs |
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Type | RCA Female, unbalanced (stereo pair) |
Maximum Input Level | +12 dBu |
Main Outputs |
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Type | XLR Male, balanced |
Rated Output Level | +24 dBu |
Output Impedance | 100Ω |
Mix Outputs |
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Type | XLR Male, balanced |
Rated Output Level | +24 dBu |
Output Impedance | 100Ω |
Headphone Output |
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Type | ¼” TRS Female, active stereo |
Maximum Output | 100 mW/ch. @ 60Ω load |
Frequency Response | 20 Hz – 20 kHz (± 0.5 dB) |
THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
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Input to Output | -90 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd) |
Adjacent Channels | -87 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd) |
Noise Gate / Expander |
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Threshold Range | -84 dB to 0 dB |
Attack Time | 0.02s to 500 ms / 0.5 ms |
Release Time | 0.05s to 2s |
Expander Attenuation Range | 2:1 (fixed) |
Noise Gate Attenuation Range | -84 to 0 dB |
Key Filter | 2nd-order, resonant bypass; Q=0.7 |
Key Listen | Off, 40 Hz to 16 kHz |
Compressor |
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Threshold Range | -56 dB to 0 dB |
Ratio | 1:1 to 14:1 |
Attack Time | 0.2 ms to 150 ms |
Release Time | 40 ms to 1,000 ms |
Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
Curve Types | hard and soft knee |
Limiter |
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Threshold | -56 dB to 0 dB / -28 dBFS |
Ratio | ∞:1 |
Attack | 20 ms |
Hold | 10 ms |
Release | 20 ms |
Parametric EQ |
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Type | 2nd-order shelving filter |
Low (Lowpass or Bandpass) | 36 to 465 Hz, ±15 dB |
Low Mid (Bandpass) | 90 Hz to 1.2 kHz, ±15 dB |
High Mid (Bandpass) | 380 Hz to 5 kHz, ±15 dB |
High (Highpass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
Q (sweepable for each band) | 0.1 to 4 / Low Q= 0.55, Hi Q=2.0 |
Graphic EQ |
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31-Band 1/3-Octave Controls | Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q. |
Gain/Attenuation | ±15 dB |
Digital Audio |
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ADC Dynamic Range | 118 dB (A-wtd, 48 kHz) |
DAC Dynamic Range | 118 dB (A-wtd, 48 kHz) |
FireWire | S800, 800 Mb/s |
S/PDIF Output | RCA Female |
Internal Processing | 32-bit, floating point |
Sampling Rate | 44.1, 48, 88.2, 96 kHz |
A/D/A Bit Depth | 24 |
Reference Level for 0 dBFS | +18 dBu |
Clock |
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Type | JetPLL™ |
Jitter | <20 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
Power/Environmental |
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Connector | IEC |
Input-Voltage Range | 90 to 240 VAC |
Power Requirements (continuous) | 200W |
Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
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Rackspaces | 4U |
Height | 7” (17.78 cm) |
Width | 19” (48.26 cm) |
Depth | 10.5” (26.67 cm) |
Weight | 22 lbs. (9.98 kg) |