เครื่องผสมสัญญาณเสียงดิจิตอลมิกเซอร์ PreSonus StudioLive RM16Ai, 16 locking XLR inputs with recallable XMAX Class A mic preamps, Complete solution Includes Capture live-recording software and Studio One Artist DAW for Mac and Windows, 52×34 direct digital FireWire recording interface,
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฿39,900.00 ฿39,000.00
เครื่องผสมสัญญาณเสียงดิจิตอลมิกเซอร์ PreSonus StudioLive RM16Ai, 16 locking XLR inputs with recallable XMAX Class A mic preamps, Complete solution Includes Capture live-recording software and Studio One Artist DAW for Mac and Windows, 52×34 direct digital FireWire recording interface,
PreSonus StudioLive RM16AI rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 16 analog inputs and an additional 16 digital inputs via FireWire, AVB, or Dante™ for a total of 32 input channels, expandable up to 64.
StudioLive RM16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.
PreSonus StudioLive RM-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad. Musicians control their monitor mixes onstage with QMix-UC for iPhone/iPod touch.
Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RM-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.
Below are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.
Microphone Preamp |
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Input Type | XLR Female, balanced, locking |
Frequency Response to Direct Output (at unity gain) | 20-40 kHz, ±0.5 dBu |
Frequency Response to Main Output (at unity gain) | 20-20 kHz, ±0.5 dBu |
Input Impedance | 1 kΩ |
THD to Main Output (1 kHz at unity gain) | 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd |
S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) | 94 dB |
Common Mode Rejection Ratio (1 kHz at unity gain) | 65 dB |
Gain Control Range (±1 dB) | 0 dB to +65 dB |
Maximum Input Level (unity gain) | +22 dBu |
Phantom Power (±2 VDC) | 48 VDC, switchable per channel |
Tape Inputs |
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Type | RCA Female, unbalanced (stereo pair) |
Maximum Input Level | +12 dBu |
Main Outputs |
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Type | XLR Male, balanced |
Rated Output Level | +24 dBu |
Output Impedance | 100Ω |
Mix Outputs |
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Type | XLR Male, balanced |
Rated Output Level | +24 dBu |
Output Impedance | 100Ω |
Headphone Output |
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Type | ¼” TRS Female, active stereo |
Maximum Output | 100 mW/ch. @ 60Ω load |
Frequency Response | 20 Hz – 20 kHz (± 0.5 dB) |
THD+N | 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd |
S/N Ratio | 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd |
System Crosstalk |
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Input to Output | -90 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd) |
Adjacent Channels | -87 dB (Ref = +4 dBu 20 Hz-20 kHz, unwtd) |
Noise Gate / Expander |
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Threshold Range | -84 dB to 0 dB |
Attack Time | 0.02s to 500 ms / 0.5 ms |
Release Time | 0.05s to 2s |
Expander Attenuation Range | 2:1 (fixed) |
Noise Gate Attenuation Range | -84 to 0 dB |
Key Filter | 2nd-order, resonant bypass; Q=0.7 |
Key Listen | Off, 40 Hz to 16 kHz |
Compressor |
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Threshold Range | -56 dB to 0 dB |
Ratio | 1:1 to 14:1 |
Attack Time | 0.2 ms to 150 ms |
Release Time | 40 ms to 1,000 ms |
Auto Attack and Release | Attack = 10 ms, Release = 150 ms |
Curve Types | hard and soft knee |
Limiter |
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Threshold | -56 dB to 0 dB / -28 dBFS |
Ratio | ∞:1 |
Attack | 20 ms |
Hold | 10 ms |
Release | 20 ms |
Parametric EQ |
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Type | 2nd-order shelving filter |
Low (Lowpass or Bandpass) | 36 to 465 Hz, ±15 dB |
Low Mid (Bandpass) | 90 Hz to 1.2 kHz, ±15 dB |
High Mid (Bandpass) | 380 Hz to 5 kHz, ±15 dB |
High (Highpass or Bandpass) | 1.4 kHz to 18 kHz, ±15 dB |
Q (sweepable for each band) | 0.1 to 4 / Low Q= 0.55, Hi Q=2.0 |
Graphic EQ |
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31-Band 1/3-Octave Controls | Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q. |
Gain/Attenuation | ±15 dB |
Digital Audio |
|
---|---|
ADC Dynamic Range | 118 dB (A-wtd, 48 kHz) |
DAC Dynamic Range | 118 dB (A-wtd, 48 kHz) |
FireWire | S800, 800 Mb/s |
S/PDIF Output | RCA Female |
Internal Processing | 32-bit, floating point |
Sampling Rate | 44.1, 48, 88.2, 96 kHz |
A/D/A Bit Depth | 24 |
Reference Level for 0 dBFS | +18 dBu |
Clock |
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Type | JetPLL™ |
Jitter | <20 ps RMS (20 Hz – 20 kHz) |
Jitter Attenuation | >60 dB (1 ns in, 1 ps out) |
Power/Environmental |
|
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Connector | IEC |
Input-Voltage Range | 90 to 240 VAC |
Power Requirements (continuous) | 200W |
Recommended Ambient Operating Temperature | 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit |
Physical |
|
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Rackspaces | 3U |
Height | 5.25” (13.34 cm) |
Width | 19” (48.26 cm) |
Depth | 10.5” (26.67 cm) |
Weight | 19 lbs. (8.62 kg) |