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มิกเซอร์ PEAVEY FX24 II Compact Mixer

Name: มิกเซอร์ PEAVEY FX24 II Compact Mixer
Price: 42000.00 THB
Availability: InStock

เครื่องผสมสัญญานเสียง 24 input, 20 mono 4 ST, 3-band EQ with sweepable mid-frequency , dual DSP engine

ราคาไม่รวมภาษีมูลค่าเพิ่ม

~~฿64,600.00~~ ฿42,000.00

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Category: อนาล็อคมิกเซอร์ (Analog Mixer) Tag: PEAVEY

Description

PEAVEY FX24 II 24-Channel Compact Mixer

เครื่องผสมสัญญานเสียง 24 input, 20 mono 4 ST, 3-band EQ with sweepable mid-frequency , dual DSP engine

The new FX2 features twice the processing power of the original. FX2 Series mixers feature new, Peavey-exclusive technology to enhance live sound reproduction and project studio recording, including Silencer mic preamps, which allow very high gain with low noise and distortion for crystal-clear signal reproduction. The four pre-fader auxes per channel provide four monitor mixes, while the two post-fader auxes are ideal for adding effects (built-in or outboard). These mixers also include dual DSP engines that allow multiple simultaneous effects assignable to any channel via aux 5/6. Onboard effects include reverb, reverb enhanced, delay, compression, expander, de-esser, chorus, flanger, tube emulator, vocal enhancer and gate. Chain two processors together on each of the two available effects windows. The digital output processing section includes Feedback Ferret®, dual 5-band Parametric EQ or dual 28-band Graphic EQs, digital delay lines, and dynamics/limiters. The output section can be configured for Stereo, Dual Mono or Subwoofer mode with a built-in electronic crossover. The mixer features dual USB 2.0 ports, and the “A” USB connector allows streaming of digital audio directly to a computer or memory stick as well as exclusive, built-in MP3 compression. You can record your rehearsals, songwriting sessions or live performances directly to an inexpensive USB stick … no other hardware needed and then transfer them to your computer to burn CDs or to transmit electronically. Or insert a memory stick to playback audio files for use between sets.

Features:

High-power dual DSP engine with improved digital effects and output processing including Feedback Ferret®, 28-band GEQ/5-band PEQ, delay and limiter
USB 2.0 “A” connection to record directly to or playback from memory stick
USB 2.0 “B” connection for streaming digital out
3-band EQ with sweepable mid-frequency and variable low cut filters
2 stereo channels with dual mic/line inputs
48 volt phantom power
4 subgroups
100mm faders
Double the processing power of the orginal FX Series
All new switching power supply design is more efficient than the original
Silencer™ mic preamp XLR inputs
USB 2.0 Streaming Compatibility: Windows XP/Vista/7/8/8.1/10 ; Mac OSX playback only
6 Aux sends

Specifications

Inputs
Microphone Input	Connector: XLR Pin 1 (ground), Pin 2 (+), and Pin 3 (-) Balanced Function: Microphone (150 Ω) Input Impedance: 2.2 kΩ minimumInput Gain Setting: Maximum: 60 dB Minimum: 0 dBInput Level: Minimum: -76 dBu @ 60 dB and -16 dBu @ 0 dB Nominal: -56 dBu @ 60 dB and +4 dBu @ 0 dB Maximum: -40 dBu @ 60 dB and +20 dBu @ 0 dB
Line Input	Connector: 1/4″ TRS; Tip (+), Ring (-), and Sleeve (ground) Balanced Function: Line (10 kΩ) Input Impedance: 20 kΩ minimumInput Gain Setting: Maximum: 40 dB Minimum: -20 dBInput Level: Minimum: -56 dBu @ 40 dB and +4 dBu @ -20 dB Nominal: -36 dBu @ 40 dB and +24 dBu @ -20 dB Maximum: -20 dBu @ 40 dB and +40 dBu @ -20 dB
Stereo Line Inputs	Connector: 1/4″ TS; Tip (+), and Sleeve (ground) Unbalanced Function: Stereo Line (direct to L / R) Input Impedance: 10 kΩ minimumInput Gain Setting: Maximum: 20 dB Minimum: 0 dBInput Level: Minimum: -26 dBu @ 20 dB and -6 dBu @ 0 dB Nominal: -16 dBu @ 20 dB and +4 dBu @ 0 dB Maximum: +2 dBu @ 20 dB and +22 dBu @ 0 dBConnector: 1/4″ TS; Tip (+), and Sleeve (ground) Unbalanced Function: Stereo Line (via channel) Input Impedance: 10 kΩ minimumInput Gain Setting: Maximum: 20 dB Minimum: 0 dB Input Level: Minimum: -36 dBu @ 20 dB and -16 dBu @ 0 dB Nominal: -16 dBu @ 20 dB and +4 dBu @ 0 dB Maximum: +2 dBu @ 20 dB and +22 dBu @ 0 dB
Insert	Connector: 1/4″ TRS; Tip (send), Ring (return), and Sleeve (ground) Unbalanced Function: Channel and Group Insert Return Input Impedance: 22 kΩ minimum Input Gain Setting: 0 dBInput Level: Minimum: -16 dBu @ 0 dB Nominal: +4 dBu @ 0 dB Maximum: +22 dBu @ 0 dB
Return	Connector: 1/4″ TRS; Tip (+), Ring (-), Sleeve (ground) Balanced Function: EFX2 Return Input Impedance: 20 kΩ minimumInput Gain Setting: Maximum: 10 dB Minimum: 0 dBInput Level: Minimum: -16 dBu @ 10 dB and -6 dBu @ 0 dB Nominal: -6 dBu @ 10 dB and +4 dBu @ 0 dB Maximum: +12 dBu @ 10 dB and +22 dBu @ 0 dB
Media Input	Connector: RCA jacks Unbalanced Function: Media In Input Impedance: 10 kΩ minimumInput Gain Setting: Maximum: 10 dB Minimum: 0 dBInput Level: Minimum: -16 dBu @ 10 dB and -6 dBu @ 0 dB Nominal: -6 dBu @ 10 dB and +4 dBu @ 0 dB Maximum: +10 dBu @ 10 dB and +20 dBu @ 0 dB

Outputs
Master Output	Connector: XLR Pin 1 (ground), Pin 2 (+), and Pin 3 (-), 1/4″ TRS; Tip (+), Ring (-), and Sleeve (ground) Balanced Function: Master Left / Right Minimum Load Impedance: 600 ΩOutput Level: Nominal: +4 dBu Maximum: +22 dBu
Groups	Connector: 1/4″ TRS; Tip (+), Ring (-), and Sleeve (ground) Balanced Function: Groups 1 to 4 and AUX 1 to 6 Minimum Load Impedance: 600 ΩOutput Level: Nominal: +4 dBu Maximum: +22 dBu
Record Output	Connector: RCA jacks Unbalanced Function: Record Out Minimum Load Impedance: 2 kΩOutput Level: Nominal: +4 dBu Maximum: +22 dBu
Insert	Connector: 1/4″ TRS; Tip (send), Ring (return), and Sleeve (ground) Unbalanced Function: Channel and Group Insert Send Minimum Load Impedance: 600 ΩOutput Level: Nominal: +4 dBu Maximum: +22 dBu
Headphone Output	Connector: 1/4″ TRS; Tip (left), Ring (right), and Sleeve (ground) Unbalanced Function: Headphone Minimum Load Impedance: 8 ΩOutput Level: Nominal: +4 dBu Maximum: +22 dBu

Gain
Gain Adjustment Range	Microphone In: 0 to +60 dB Microphone Input to Left / Right Balanced Output: 80 dB (maximum gain)Line Input: -20 to +40 dB Line Input to Left / Right Balanced Output: 60 dB (maximum gain)Stereo Line In: -∞ to +20 dB Stereo Line Input to Left / Right Balanced Output: +30 dB direct to L / R output +40 dB via channel (maximum gain)

Frequency
Frequency Response	Microphone Input to Left / Right Output: 20 Hz to 20 kHz, 0 / -1 dB

Noise Characteristics
THD & Noise	Microphone to Left / Right Output: 0.01%, 20 Hz to 20 kHz (22 Hz to 22 kHz BW) Microphone Pre-amp: 0.005% (22 Hz to 22 kHz BW)
Hum and Noise	All measurements at 22 Hz to 22 kHz BW For Master Left / Right Output: Test Condition: Master fader down, channel levels down Residual Noise: -100 dBu S/N Ratio: 104 dB (+4 dBu) Test Condition: Master fader nominal, channel levels down Residual Noise: -82 dBu S/N Ratio: 86 dB (+4 dBu) Test Condition: Master fader nominal, channel faders nominal, panned odd channels (left), even channels (right) Residual Noise: -80 dBu S/N Ratio: 84 dB (+4 dBu) For Groups 1 to 4 Outputs: Test Condition: Master fader down, channel levels down Residual Noise: -98 dBu S/N Ratio: 102 dB (+4 dBu) Test Condition: Master fader nominal, channel levels down Residual Noise: -90 dBu S/N Ratio: 94 dB (+4 dBu) Test Condition: Master fader nominal, channel faders nominal, panned odd channels (left), even channels (right) Residual Noise: -83 dBu S/N Ratio: 87 dB (+4 dBu) For Aux 1 to 6 Outputs: Test Condition: All controls off Residual Noise: -101 dBu S/N Ratio: 105 dB (+4 dBu) Test Condition: All channel sends nominal, masters nominal Residual Noise: -81 dBu S/N Ratio: 85 dB (+4 dBu)
Equivalent Input Noise	-129 dBu (Microphone input terminated with 150 Ω)
Crosstalk / Attenuation	Adjacent Input Channels: -70 dB @ 1 kHz, typical Mute Button Attenuation: -80 dB @ 1 kHz, typical Left to Right Outputs: -70 dB @ 1 kHz, typical Channel Fader Kill: -80 dB @ 1 kHz, typical
Common Mode Rejection	Microphone Input: Minimum: -50 dB (20 Hz to 20 kHz) Typical: -60 dB @ 1 kHz