เครื่องผสมสัญญาณเสียง BEHRINGER XENYX Q1204 USB 8-Ch 4 mic preamps with one-knob compression, plus digital effects and USB output for easy recording.
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฿7,500.00
เครื่องผสมสัญญาณเสียง XENYX Q1204 USB 8-Ch 4 mic preamps with one-knob compression, plus digital effects and USB output for easy recording.
Ideal for both live-performance and home-based recording, the Behringer XENYX Q1204USB compact mixer provides 4 mono channels with premium XENYX mic preamps, sweet 3-band British-style EQ, plus two stereo channels. A professional-quality mixer through and through, all mono channels feature true +48 V phantom power, the “one knob” studio-grade compressor and two Aux Sends (one pre/post fader selectable per channel, one post-fader). Two stereo Aux Returns are provided for use with external FX modules. The built-in USB audio interface provides bi-directional transfer of signals between the mixer and your computer. The handy Mute/ALT 3-4 function allows you to tap into 4-Bus capability.
Outstanding Value
No matter what your audio mixing needs are, BEHRINGER QX Series USB mixers provide the performance and features to take your talent to the next level, at a price sure to amaze you. Try one on today — there’s one in your size.
With millions of loyal and happy customers, BEHRINGER XENYX mixers stand alone at the top of their class. Armed with premium microphone preamps and robust feature sets typically reserved for more expensive consoles, next-generation XENYX Q Series USB mixers can handle your live gigs and provide the state-of-the-art tools to make stunning, professional-quality recordings. Select models feature dedicated, “wireless-ready” integration for the ULM Series USB microphones, making them the first of their kind in the industry. Along with their built-in USB/audio interfaces, “one-knob” mono channel compressors and KLARK TEKNIK FX engines (available on select models), XENYX Q Series USB mixers come with all the recording and editing software you’ll need to turn your computer into a complete, high-performance recording studio.
KLARK TEKNIK FX on All QX Models
Nothing adds the finishing touch to a live or recorded performance like really good effects, so they equipped a select group of these mixers with one of the best FX engines in the industry. Designed by the world-renowned KLARK TEKNIK engineering team, these high-end FX processors feature 32 studio-grade presets with dual addressable parameters, Tap function and storable user parameter settings. Complete with its own dedicated level meter, these effects provide a wide range of enhancement options, from sweet and mild to absolutely wild!
Wireless Ready Performance
QX1204USB – QX2442USB mixers are “wireless-ready” right out of the box. The ULTRALINK ULM200USB (sold separately) features two high-quality 2.4 GHz wireless mics, plus a special 2-channel receiver dongle that connects directly to a dedicated input port on the top of the mixers. This technologic breakthrough makes for seamless wireless integration that is easier and more affordable than ever.
What’s a Compressor?
Ask professional sound engineers what their favorite piece of external processing gear is and the response will be virtually unanimous – dynamic compression. What’s compression? Glad you asked. Compression limits the dynamic range of a signal, lowering the level of loud sounds and turning up softer sounds to achieve sonic balance. But applying compression is a delicate art that many novice, and even intermediate sound techs have difficulty mastering. The “one-knob” compression is available on all mono channels and is easy to operate, even for entry-level users. Now you can easily dial in the perfect amount of compression for instruments and vocals, creating powerful mixes with punch and clarity. The “one-knob” compressors come standard on each and every XENYX Q Series USB mixer.
Sonically Superior Mic Preamps
All XENYX mixers have one thing in common; great-sounding, high headroom XENYX mic preamps. These state-of-the-art mic preamps are a tremendous step in the evolution of audio technology– and they can easily hold their own, even when compared to expensive, boutique-style mic preamps. XENYX preamps offer a staggering 130 dB of dynamic range with a bandwidth that extends from below 10 Hz to well above 200 kHz. As a result, XENYX mixers provide such transparent, crystal-clear performance that you just might think someone upgraded your microphones while you weren’t looking.
Sweet British EQ
The British consoles of the 1960s and ’70s changed the sound of rock and roll. Without them, the British Invasion might not have even happened. Those legendary mixing desks soon became the envy of engineers and producers all over the world. The channel EQ on the XENYX mixers is based on that very same circuitry, allowing you to imbue signals with incredible warmth and detailed musical character. Even when applied generously, these equalizers exhibit sweet forgiveness and superb audio quality.
Recording Ready
There was a time when the recording process called for lots of specialized gear, which meant the average musician had to buy time at a recording studio–and that time was expensive! But modern technology has put personal recording well within the reach of virtually anyone with access to a computer. But how do you get all that music flying around your brain into a computer? That’s where XENYX Q Series mixers come in. Thanks to the built-in, bi-directional stereo USB audio interface, you can connect directly to your PC or Mac computer via a single USB cable. Now any signal source connected to the mixer can be recorded straight to your hard drive.
How About Some Free Software
Because you’ll want to take full advantage of your XENYX QX Series mixers’ recording and podcasting potential, they’ve put together a massive software download at www.behringer. com that includes Audacity (the most popular open source audio editor), Podifier, Juice, Podnova and Golden Ear (a great selection of podcasting software). You’re ready to go live on your PC or Mac right out of the box! You also get more than 100 virtual instruments and 50 FX plug-ins, turning your computer into a complete home-based or mobile recording studio.
Total # Of Inputs | 12 inputs | |
Mic/Line Inputs | 4 x XLR microphone inputs with preamps
4 x 1/4″ TRS line-level inputs |
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Stereo Line Inputs | 2 x 1/4″ TRS left & right paired inputs
2 x 2-track RCA inputs |
|
AUX Sends | 2 | |
AUX Returns | 2 stereo returns | |
Inserts | 4 | |
BUS (Group) Outputs | 2 sub groups | |
2 Trk Master I/O | 2 x balanced XLR outputs
2 x 1/4″ TRS outputs |
|
ALT I/O | 2 x 1/4″ TRS sub outputs
Stereo RCA 2-track outputs |
|
Monitor Outputs | 2 x 1/4″ TRS control room outputs
1 x 1/4″ stereo headphone output |
|
EQ Section | 3-Band EQ with mid sweep on every channel | |
Solo/Mute | Mute and solo buttons on every channel | |
Channel Level Control | 60 mm faders | |
Trim/Gain Control | Yes | |
Metering | 12-Segment stereo LED meters
Clip LEDs on every channel |
|
Microphone Inputs | ||
Type | XLR, electronically balanced, discrete input circuit | |
Mic Input Noise (E.I.N.) | 20 to 20,000 Hz
At 0 Ω source resistance: -132 dB / -134 dB A-weighted At 50 Ω source resistance: -131 dB / -132 dB A-weighted At 150 Ω source resistance: -128 dB / -131 dB A-weighted |
|
Frequency Response | Preamp:
< 10 to 150,000 Hz (-1 dB) < 10 to 200,000 Hz (-3 dB)
Mic input to main output: <10 to 160,000 Hz (± 3 dB) |
|
Dynamic Range | Not specified by the manufacturer | |
Gain Range | 10 to 60 dB | |
Maximum Input Level | +12 dBu at +10 dB Gain | |
Impedance | Approximately 2 kΩ balanced | |
Signal-to-Noise Ratio | 108 dB / 110 dB A-weighted (0 dBu In @ +22 dB gain) | |
Total Harmonic Distortion (THD) | 0.005% / 0.004% A-weighted | |
Phantom Power | Switchable, +48V | |
Line Input | ||
Type | 1/4″ TRS connector, balanced | |
Impedance | Approximately 20 kΩ balanced
10 kΩ unbalanced |
|
Gain Range | -10 to +40 dB | |
Maximum Input Level | 30 dBu | |
Stereo Input | ||
Type | 2 x 1/4″ TRS connector, balanced
2-Track: 1 x RCA pair |
|
Impedance | Stereo: Approximately 20 kΩ balanced, 10 kΩ unbalanced
2-Track: 10 kΩ |
|
Gain Range | -20 dB to 20 dB | |
Maximum Input Level | 22 dBu | |
EQ Type Mono Channels | Low: 80 Hz, ±15 dB
Mid: 2,500 Hz, ±15 dB High: 12,000 Hz, ±15 dB |
|
AUX Section | ||
AUX Sends | Type: 2 x 1/4″ TRS connector, balanced
Impedance: Approximately 120 Ω
Maximum Output Level: 22 dBu |
|
AUX Returns | Type: 2 x 1/4″ TRS connector, electronically balanced
Impedance: Approximately 20 kΩ balanced, 10 kΩ unbalanced
Maximum Input Level: 22 dBu |
|
Main Outputs | XLR, balanced
Impedance: Approximately 240 Ω balanced, 120 Ω unbalanced
Maximum Output Level: 28 dBu |
|
Control Room Outputs | Type: 1/4″ TRS, balanced
Impedance: Approximately 120 Ω
Maximum Output Level: 22 dBu |
|
Headphone Outputs | Type: 1/4″ TRS connector, unbalanced
Impedance: 25 Ω
Maximum Output Level: 21 dBu at 150 Ω (+25 dBm) |
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Wireless | USB dongle: Accepts signal from 2 independent Behringer ULM mics | |
USB | Audio: Stereo In/Out
Connector: Type B
Converter: 16-bit
Sample Rate: 48 kHz |
|
Noise | Main mix at -∞ with channel fader at -∞: -105 dB / -108 dB A-weighted
Main mix at 0 dB with channel fader at -∞: -95 dB / -97 dB A-weighted
Main mix at 0 dB with channel fader at 0 dB: -83 dB / -85 dB A-weighted |
|
Power Supply | ||
Mains | 100 to 240 V, 50/60 Hz | |
Power Consumption | 40 W | |
Fuse | 100 to 240 V: T 1.6 A H 250 V | |
Connection | Standard IEC receptacle | |
Dimensions (W x D x H) | 10.4 x 13 x 3.50″ (265 x 330 x 90.0 mm) | |
Weight | 6.2 lb (2.8 kg) |