ออดิโอ อินเตอร์เฟส Focusrite Scarlett 2i4 2 in / 4 out เชื่อมต่อแบบ USB 2.0 สำหรับงานบันทึกเสียงใน, 2 Microphone Preamps with Gain Controls, Focusrite Red 2 and Red 3 Plug-In Suite, รองรับ Mac OS X, Windows
฿8,490.00
ออดิโอ อินเตอร์เฟส Focusrite Scarlett 2i4 2 in / 4 out เชื่อมต่อแบบ USB 2.0 สำหรับงานบันทึกเสียง, 2 Microphone Preamps with Gain Controls, Focusrite Red 2 and Red 3 Plug-In Suite, รองรับ Mac OS X, Windows
Scarlett 2i4 from Focusrite is a two-input/four-output USB audio interface featuring two Focusrite preamps with phantom power and 10 dB pads. The unit is USB bus-powered and housed in a compact, anodized-aluminum unibody chassis, making it an ideal choice for musicians and digital DJs.
Compatible with both Mac- and Windows-based computers, the interface features two Neutrik combo XLR/TRS 1/4″ inputs that accept microphone-, line-, and instrument-level sources. Four RCA outputs and a headphone output provide the digital performer and laptop DJ with convenient connectivity.
Direct monitoring is available to avoid latency during recording and signal halos surrounding the gain knobs provide visual feedback of proper input levels. MIDI I/O with activity indicators allows for connecting synthesizer or other MIDI related modules. A comprehensive selection of cross-platform software is included.
The Focusrite Red 2 and Red 3 Plug-In Suite (AAX, Audio Units, VST) delivers accurately modeled plug-ins based on the classic Focusrite Red 2 EQ and Red 3 Compressor hardware. The plug-ins allow for conveniently exploring the sound of the hardware originals from within Pro Tools (10 and above), along with other audio software. The software is a free download for new and current owners of the Scarlett 2i4.
In addition to the Red 2 and Red 3 Plug-in Suite, the interface includes the Softube Time and Tone Pack. Modeled after the Drawmer 1973 FET Stereo compressor hardware, the Drawmer S73 Intelligent Master Processor is a plug-in that aids in balancing and shaping a mix. TSAR-1R Reverb adds space, depth, and width to a sound. Change settings with a single slider, from realistic three-dimensional rooms to dramatic and dreamlike halls. Tube Delay is an echo effect that can go from clean to rude by overdriving its three modeled-tube stages – delivering everything from realistic room echoes, to rockabilly-style slap back, to dub reggae echo. Saturation Knob is a modeled output distortion unit that adds grit and warmth – use it to fatten up bass lines, add some harmonics and shimmer to vocals, or simply destroy a drum loop.
Converters | 24-bit |
Sample Rates | 44.1, 48, 88.2 and 96 kHz (internal clock only) |
Analog In | 2 x XLR/TRS 1/4″ Combo Microphone/Line (front panel) |
Analog Outputs | 2 x 1/4″ TRS Line (rear panel) 4 x RCA Line (rear panel) 1 x 1/4″ TRS Headphone (front panel) |
Digital Input Connectors | No |
Digital Output Connectors | No |
MIDI In/Out | 2 x 5-pin DIN MIDI In, Out |
Other Connectors | 1 x 6-pin FireWire IEEE1394 socket |
Headphone Output | Yes with volume control |
Maximum Input Level | Microphone: +3.5 dB Line: +26 dBu (at 1% THD+N) Instrument: +3 dBu (+12 dBu pad in) |
Gain Range | Microphone: +10 dB to +55 dB (0 dB to +45 dB with pad engaged) Line: -10 dB to +35 dB (-20 dB to +25 dB with pad engaged) Instrument: +10 dB to +55 dB |
Output Impedance | <12 ohms |
Nominal Output Level | +10 dBu, balanced (0 dBFS) +5.5 dBu, unbalanced (0dBFS) |
Power Output | 24 mW into 32 ohms |
Frequency Response | Input: 20 Hz to 20 kHz, +0/-0.1 dB Output: 20 Hz to 20 kHz, +/-0.2dB |
THD + N | Microphone: <0.002% (minimum gain, -1 dBFS with 20 Hz/22 kHz band-pass filter) Line Inputs: <0.01 A-weighted (+16 dB input gain, -1 dBFS at output with 22 Hz/22 kHz band-pass filter) Instrument: <0.0025 A-weighted (+16 dB input gain, -1 dBFS at output with 22 Hz/22 kHz band-pass filter Line Outputs: <0.03 %, unbalanced (0 dBFS input 22 Hz/22 kHz band-pass filter) |
Noise | Microphone EIN: <-120 dB @ 55 dB of gain with 150 ohm termination (20 Hz/22 kHz band-pass filter) Line Noise: -90 dBu (22 Hz/22 kHz band-pass filter) Instrument Noise: -87 dBu (20 Hz/22 kHz band-pass filter) Line SNR: >100 dB |
Crosstalk | Input to Input: >90dB Output to Output: >90 dB Input to Output: >85 dB |
Digital Performance | A/D Dynamic Range: >105 dB, A-weighted (all inputs) D/A Dynamic Range: >104 dB, A-weighted (all outputs) Converter Chipset A/D Dynamic Range: 114 dB Converter Chipset D/A Dynamic Range: 114 dB |
Meters | Ring LED lit Green: Signal present (-24 dBFS) Ring LED lit Red: Signal overload (0 dBFS), peak held for approximately 1 second |
Power Requirements | USB bus-powered |
System Requirement | Mac: OS X 10.6.5 (Snow Leopard) to OS X 10.10 (Yosemite) Windows: Windows 7 (32- and 64-bit), Windows 8, and Windows 10 |
Dimensions (WxDxH) | 8.3 x 5.5 x 1.9″ (210 x 140 x 48 mm) |
Weight | 2 lb (890 g) |
Packaging Info | |
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Package Weight | 2.8 lb |
Box Dimensions (LxWxH) | 11.2 x 7.7 x 4.2″ |
MAC USERS
The Scarlett 2i4 runs in class-compliant mode on a Mac. No driver is required. Simply plug and play.
If you have previously installed the Focusrite USB driver and are experiencing glitchy audio on Mavericks you can put your unit into class compliant mode by following the instructions HERE.
If you have installed a Novation device previously please refer to this answerbase article.
2i4 USB 2.0 Driver – Windows
USB2.0 Driver – Win(2.5.1)
Fixes:
Tested with:
WINDOWS XP USERS
See this article for information.
MAC USERS
The 2i4 runs in class-compliant mode on a Mac. No driver is required. Simply plug and play.
PRO TOOLS 11 WINDOWS USERS
If you’re experiencing performance issues please see this article.