ดิจิตอลมิกเซอร์ ALLEN & HEATH SQ7 Digital Mixing Console
เครื่องผสมสัญญาณเสียงแบบดิจิตอล Allen & Heath SQ-7, 32 Microphone Preamps, 7″ Capacitive Touchscreen, 96 kHz FPGA Processing, Eight Stereo FX Engines with Returns, 32 x 32 USB Audio Interface, AES Output, 12 Mono/Stereo Mixes + 3 Stereo Matrix
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฿275,390.00 ฿220,000.00
Description
Allen & Heath SQ-7 48-Ch / 36-Bus Digital Mixer with 32+1 Motorized Faders
เครื่องผสมสัญญาณเสียงแบบดิจิตอล Allen & Heath SQ-7, 32 Microphone Preamps, 7″ Capacitive Touchscreen, 96 kHz FPGA Processing, Eight Stereo FX Engines with Returns, 32 x 32 USB Audio Interface, AES Output, 12 Mono/Stereo Mixes + 3 Stereo Matrix, Channel LCD Displays, 16 Assignable SoftKeys, SLink Port for Remote Audio & Expansion
The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library.
The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.
At the heart of the SQ-7 lies the 96 kHz XCVI Core FPGA engine, which delivers professional, high-resolution audio quality, ultra-low latency (less than 0.7 ms), variable bit depth for precision and noise performance, mix coherency down to the sample, and the power to handle high channel/mix counts and ample FX processing.
The SQ’s DEEP processing architecture allows you to hand-pick boutique compressor and preamp emulations and embed them directly within the mixer’s inputs and mix channels, all without adding system latency or setup hassles.
The front panel is centered around the mixer’s 7″ capacitive touchscreen and framed by an array of high-grip, illuminated encoders, which offer clear visual feedback and quick, hands-on control. You can drag-and-drop channels and mixes to any strip with custom naming and color coding on the strip display, allowing you to build a mix environment that mirrors your workflow.
The SQ-7 offers 16 softkeys, which can be freely assigned to any function for a customized and advanced workflow. The on-board recorder uses a USB Type-A port to record stereo and multitrack sessions to a flash drive. The recorder can also playback stereo and multitrack files, handy for virtual sound checks and studio mixing.
The SQ-7 offers expansion options via Allen & Heath’s stage box expanders, or install an optional Dante or Waves card to adapt and expand using the latest digital technologies.
SQ is fully compatible with the ME Personal Mixing System, allowing performers to take control of their own monitor mixes. Any number of ME-1 and ME-500 personal mixers can be daisy-chained from the mixer’s SLink port, or from a connected remote expander. The Allen & Heath SQ-7 includes a power cord.
Features:
- 96kHz FPGA processing
- 48 Input Channels, DEEP Processing ready
- 33 Faders / 6 Layers
- 12 Stereo mixes + LR, 3 Stereo Matrix
- 8 Stereo FX Engines + dedicated stereo returns
- 7” capacitive touchscreen
- SLink port for remote audio / expansion
- 64ch I/O Port for audio networking
- 32×32 USB audio interface
- SQ-Drive direct recording to USB, AES output
- Chromatic channel metering
- Integrated LED illumination
- Dedicated physical controls, Channel LCD displays
- 16 Assignable SoftKeys, 8 Assignable Soft Rotaries
Specifications
| Mic/Line Inputs | Mic/Line Inputs: Balanced XLR, fully recallable Input Sensitivity: -60 to +0 dBu Switchable Pad: -20 dB Analog Gain: 0 to +60 dB, 1 dB steps Maximum Input Level: +30 dBu Input Impedance: >5 kOhms THD+N, Unity Gain (0 dB): 0.002% -92 dBu (20 Hz – 20 kHz, AES direct out, @ 0 dBu 1 kHz) THD+N, Mid-Gain (+30 dB): 0.003% -91 dBu (20 Hz – 20 kHz, AES direct out, @ -30 dBu input 1 kHz) Phantom Power +48V (+3V / -2V) |
| Stereo Line Inputs | ST1, ST2 Connectors: Balanced, 1/4″ / 6.3 mm TRS ST3 Connector: Unbalanced, stereo 1/8″ / 3.5 mm Input Sensitivity (ST1, ST2 / ST3): Nominal +4 dBu ST1, ST2 / 0 dBu ST3 Trim: +/-24 dB Maximum Input Level (ST1,ST2 / ST3): +22 dBu / +18 dBu Input Impedance: >7 kOhms |
| Analog Outputs | Outputs 1-16: Balanced, XLR Outputs A and B: Balanced 1/4″ / 6.3 mm TRS Source: Patchable Output Impedance: <75 Ohms Nominal Output: +4 dBu = 0 dB meter reading Maximum Output Level: +22 dBu Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz) |
| AES Digital Audio Outputs | AES Digital Output: Balanced XLR, 2 channel 96 kHz sampling rate (default with SRC bypassed) Switchable Output Sample Rates: 44.1, 48, 88.2, 96 kHz 2.5 Vpp balanced terminated 110 Ohms |
| Network Connections | Connection: Neutrik EtherCON (RJ45) dsnake mode (48 kHz devices): 64 channels assignable, compatible with AR2412, AR84, AB168, ME, Qu dx mode (96 kHz Devices): 32 channels assignable, compatible with DX168 gigaACE (96 kHz Devices): 128 channels assignable, compatible with dLive, SQ, and DXHub Inputs: Fully patchable Outputs: Fully patchable Sync/SRC: Assignable as master audio sync for all modes, SRC 64-channel |
| I/O Expansion Module | Multi-channel IO option module Inputs: Fully patchable Outputs: Fully patchable Sync/SRC assignable as master audio sync |
| Audio Specifications | Measured balanced XLR in to XLR out, 0 dB gain, 0 dBu input |
| Dynamic Range | 112 dB |
| Frequency Response | 20 Hz to 20 kHz (+0/-0.5 dB) |
| Headroom | +18 dB |
| Operating Level | Internal Operating Level: 0 dBu |
| THD+N | THD+N, Mic/Line Routed to Main L/R Out: Unity gain faders @ 0 dB, 0.006%, -84 dBu (20 Hz to 20 kHz) |
| dBFS Alignment | +18 dBu = 0 dBFS (+22 dBu at XLR output) |
| Metering Accuracy | Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu at XLR out) |
| Metering | Main Meter Type: 2 x 12-segment, fast (peak) response Channel Meter Type: Chromatic Channel Metering, fully programmable color/brightnesss Peak Indication: -3 dBFS (+19 dBu at XLR out), multi-point sensing |
| Sampling Rate | 96 kHz |
| Bit Depth | Uses XCVI core custom bit widths in algorithms, up to 96-bit |
| Latency | <0.7 ms, local mic input routed to main L/R. (direct, no EQ/effects) |
| Faders | 3.9″ / 100.0 mm, motorized |
| Touch Screen | 7.0″ / 178 mm, capacitive, 800 x 480 resolution, 24-bit RGB |
| Softkeys | Softkeys: 16 SoftRotarys: 8 |
| Groups | Mute Groups: 8 DCA Groups: 8 |
| Network | TCP/IP Ethernet for MIDI and control |
| MIDI | TCP/IP and USB Type-B |
| Footswitch | Single or dual, momentary or latching |
| Source | Channels 1-48: Fully patchable USB Global Source: SQ-Drive or USB Type-B streaming |
| Polarity | Normal/inverted |
| Trim | -24 to +24 dB |
| High Pass Filter | 12 dB/octave, 20 Hz to 2 kHz |
| Insert | Insert (Pre EQ/Comp): Fully patchable |
| Input Delay | Up to 341 ms |
| Gate | Gate: Patchable sidechain Sidechain Filter: Hi-pass (20 Hz to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz) Threshold / Depth: -72 dBu to +18 dBu / 0 to 60 dB Attack / Hold / Release: 50 μs to 300 ms / 10 ms to 5 seconds / 10 ms to 1 second |
| Parametric Equalizer | PEQ: 4-band fully parametric, 20 Hz to 20 kHz, ±15 dB Band 1, Band 4: Selectable shelving (Baxandall), bell Band 2, Band 3: Bell Bell Width: Variable Q, 1.5 to 1/9th octave |
| Compressor | Compressor: Patchable sidechain Sidechain Filter: Hi-pass (20 to 5 kHz), Band-pass (120 Hz to 10 kHz), Lo-pass (120 Hz to 20 kHz), Q=1 Threshold / Ratio: -46 dBu to 18 dBu / 1:1 to infinity Attack / Release: 30 μs to 300 ms / 50 ms to 2 seconds Knee: Soft/hard Detector Response: Peak/RMS switchable Parallel Path Compression: Dry/wet -infin to 0 dB |
| Channel Direct Out | Follow fader, mute, mute group, DCA (global all channels) |
| Source Selection | Post-Preamp, Post-HPF, Post Gate, Insert Return, Post PEQ, Post Comp, Post Delay Trim: -∞ to 10 dB per channel |
| Insert | Insert (Pre EQ/Comp): Fully patchable |
| Delay | Output: Up to 682 ms |
| Graphic Equalizer | 28 bands 31 Hz to 16 kHz, ±12 dB gain, constant 1/3 octave |
| FX | Internal FX: 8 x RackFX engine, Send>Return or Inserted (4 dedicated fx bus) Types: SMR Reverb, StereoTap Delay, Gated Reverb, ADT, BlueChorus, Symphonic Chorus, Flanger, Phaser 8 x Dedicated Stereo FX Returns: Fader, Pan, Mute, Routing to Mix/LR, 4-Band PEQ |
| PAFL | PFL or stereo in-place AFL, 0 to -24 dB trim, PAFL Delay up to 682 ms |
| Talkback | Dedicated input, assignable to any mix, Gain, Pad, 48 V, 12 dB/oct HPF |
| Signal Generator | Assignable to any mix, (sine/white/pink/bandpass noise) |
| RTA Real Time Analyzer | 31-bands, 1/3 octave 20 Hz to 20 kHz, follows PAFL source |
| Recorder | SQ-Drive: USB Type-A Stereo Record: 2-channel, WAV, 96 kHz, 24-bit, source fully patchable Stereo Playback: 1/2-channel, WAV, 44.1, 48, 96 kHz, 16-/24-bit, source fully patchable Multitrack Record: 16-channel, WAV, 96 kHz, 24-bit, track sources fully patchable Multitrack Playback: 16-channel, WAV, 96 kHz, 24-bit fully patchable |
| USB Audio | USB Audio Streaming: USB Type-B, Core Audio compliant, ASIO/WDM for Windows Send (Upstream): 32-channel, 96 kHz, 24-bit Return (Downstream): 32-channel, 96 kHz, 24-bit |
| Automatic Mic Mixing | AMM: 2 x 24 channels or 1 x 48 channels, freely assignable Mode: Gain sharing Sidechain Filter: 12 dB/octave HPF: 20 Hz to 5 kHz LPF: 120 Hz to 20 kHz Priority: -15 dB to +15 dB per channel |
| Power | 100 to 240 VAC, 50 / 60 Hz Maximum Power Consumption: 110W |
| Operating Temperature | 32 to 104°F / 0 to 40°C |
| Dimensions (W × H × D) | 31.7 x 20.3 x 7.8″ / 805 x 516 x 198 mm |
| Weight | 39.3 lb / 17.8 kg |
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