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ดิจิตอลมิกเซอร์ ALLEN & HEATH QU32 Rackmountable Digital Mixer

Name: ดิจิตอลมิกเซอร์ ALLEN & HEATH QU32 Rackmountable Digital Mixer
Price: 137500.00 THB
Availability: InStock

เครื่องผสมสัญญาณเสียงแบบดิจิตอลสำหรับงานแสดงสดหรือสตูดิโอ Allen & Heath Qu32 Chrome Knobs & Faders + Updated Firmware, 33 Motorized Faders, 24 Mix Outputs, 32×32 USB Recording Interface, iPad App for Wireless Mixing, dSNAKE-Compatible, 4 Built-In FX Engines, 7″ Touchscreen

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~~฿171,900.00~~ ฿137,500.00

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Category: ดิจิตอลมิกเซอร์ (Digital Mixer) Tag: ALLEN & HEATH

Description

Allen & Heath Qu-32 38-In/28-Out Digital Mixing Console (Chrome Edition)

Designed to accommodate a wide variety of live sound-reinforcement and recording scenarios, the chrome edition Allen & Heath Qu-32C is a 38-in/28-out digital mixing console that doubles as a 32×32 USB recording interface. Featuring 32 of the company’s recallable AnalogiQ microphone preamps, and powered by a 5-core ARM processor, the Qu-32 provides a variety of integrated effects and processing including channel-independent 4-band parametric EQs, compressors, delay and reverb. The chrome edition adds high-contrast chrome rotary and fader knobs that improve visibility in dark conditions, as well as a number of software enhancements from the updated firmware (V1.8).

The mixer is compatible with both the ME Personal Mixing System and dSNAKE digital-connectivity system from Allen & Heath. The Qu-32 can also be used with the Qu-Pad app, allowing you to use your iPad to mix from anywhere in the venue when connected to a wireless network.

Engineered for intuitive navigation, the mixer also features a 7″ touchscreen display, providing access to all settings. Furthermore, the mixer has 33 automatable, motorized faders for fast recall of levels when mixing FOH for multiple acts on the same stage, dealing with multiple monitor mixes, and similar scenarios.

Features:

Chrome Knobs & Faders + Updated Firmware
32 Mic/Line Inputs
Recallable AnalogiQ Preamps
33 Motorized Faders
24 Mix Outputs
32×32 USB Recording Interface
4 Built-In FX Engines
7″ Touchscreen
iPad App for Wireless Mixing
dSNAKE-Compatible

Specifications

Inputs

Mic/Line Inputs

Balanced, XLR and 1/4″ TRS jack, fully recallable
Input Sensitivity: -60 to +5 / -50 to +15 dBu (XLR / TRS)
Analog Gain: -5 to +60 dB, 1 dB steps
Maximum Input Level: +19 / +29 dBu
Input Impedance: >5 kOhms (XLR), >10 kOhms (TRS)
THD+N, Unity Gain 0 dB: 0.0005%, -89 dBu (20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)
THD+N, Mid Gain +30 dB: 0.001%, -83dBu 20 Hz to 20 kHz, direct out @ 0 dBu, 1 kHz)

Stereo Line Inputs

ST1, ST2 Connector: Balanced, 1/4″ (6.3 mm) TRS Jack, half-normalled
ST3 Connector: Unbalanced 1/8″ (3.5 mm) mini jack
Input Sensitivity (ST1, ST2, ST3): +4 /0 dBu, nominal
Trim: +/-24 dB
Maximum Input Level (ST1, ST2, ST3): +22 /+18 dBu
Input Impedance: >7 kOhms

Outputs
Line Outputs	Mix 1 to 10, GRP 1 to 4, MTX 1 to 4, LR Out: Balanced XLR Output Impedance: <75 Ohms Nominal Output: +4 dBu = 0 dB meter reading Maximum Output Level: +22 dBu Residual Output Noise: -90 C31 dBu (muted, 20 Hz to 20 kHz)
Stereo Output	Alt Output & 2 Trk Output: Balanced 1/4″ (6.3 mm) TRS jacks Source (Alt Output/2 Trk Output): Patchable/LR post fade Output Impedance: <75 Ohms Nominal Output: +4 dBu = 0 dB meter reading Maximum Output Level: +22 dBu Residual Output Noise: -90 dBu (muted, 20 Hz to 20 kHz)
AES Digital Audio Outputs	2-channel 48 kHz sampling rate XLR Out 2.5 Vpp balanced terminated 110 Ohms

dSNAKE
Inputs	Remote source for CH1-32, ST1, ST2, ST3
Outputs	Remote outputs for Mix1-10, LR, Grp1-8, MTX1-4 Compatible with AudioRacks AR2412, AR84, AB168 Compatible with ME personal mixing system

System
Dynamic Range	112 dB
Frequency Response	20 Hz to 20 kHz (+0/-0.5 dB)
Headroom	+18 dB
Operating Level	Internal Operating Level: 0 dBu
Alignment	dBFS: +18 dBu = 0 dBFS (+22 dBu @ XLR output)
Calibration	Meter Calibration: 0 dB meter = -18 dBFS (+4 dBu @ XLR output)
Indicators	Meter Peak Indication: -3 dBFS (+19 dBu @ XLR out), multi-point sensing Meter Signal Indication: -48 dBFS (-26 dBu @ XLR out) Meter Type: Fast (peak) response
Sampling Rate	48 kHz +/-100 PPM
Converters	24-bit Delta-Sigma
Latency	1.2 ms (local XLR in to XLR out) 0.7 ms (local XLR in to AES out)
Operating Temperature	32° to 95°F (0° to 35°C)
Power	Mains Power: 100-240 V AC, 50/60 Hz, 150 W maximum

USB

USB Audio

Qu-Drive: USB A
Device: Use a USB hard drive (not a USB key)
Stereo Record: 2-channel, WAV, 48 kHz, 24-bit, patchable
Stereo Playback: 2-channel, WAV, 44.1 or 48 kHz, 16- or 24-bit, to ST3
Multitrack Record: 18-channel, WAV, 48 kHz, 24-bit, patchable
Multitrack Playback: 18-channel, WAV, 48 kHz, 24-bit
USB Audio Streaming: USB B, Core Audio compliant
Send (upstream): 32-channel, WAV, 48 kHz, 24-bit
Return (downstream): 32-channel, WAV, 48 kHz, 24-bit

Controls
Faders	4″ (100 mm), motorized
Touchscreen	7″ TFT, 800 x 480 resolution
Softkeys	10
Groups	Mute Groups: 4 DCA Groups: 4
Network	TCP/IP Ethernet for MIDI commands and iPad app

Input Processing
Source	Channels 1 to 32: Local, dSNAKE, or USB ST1, ST2, ST3: Local, dSNAKE, or USB USB Global Source: Qu-Drive or USB B Streaming
Stereo Linking	Stereo Linking: Odd/even input pairs Parameters Linked: EQ, dynamics, insert, delay, assignments, sends Link Options: Preamp, polarity, sidechains, fader, mute, pan
Polarity	Normal & reverse
HPF	12 dB/octave, 20 Hz to 20 kHz
Insert	Assign FX1-4 into input channels
Delay	Up to 85 ms
Gate	Self-key sidechain Threshold: -72 to +18 dBu Depth: 0 to 60 dB Attack: 50 μs to 300 ms Hold: 10 ms to 5 s Release: 10 ms to 1 s
Equalizer	4-band fully parametric, 20 Hz to 20 kHz, +/-15 dB Band 1: Selectable LF shelving (Baxandall), bell Band 2 & 3: Bell Band 4: Selectable HF shelving (Baxandall), bell Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
Compressor	Self-key sidechain Threshold: -46 to 18 dBu Ratio: 1:1 to infinity Attack: 300 μs to 300 ms Release: 100 ms to 2 s Knee: Soft or Hard Types: Peak manual, RMS manual, SlowOpto, PunchBag
Output	Channel Direct Out to USB: Follow fader, follow mute (global options) Source Select (Global): Post-preamp, pre-EQ, post-EQ, post-delay

Mix Processing
Insert	Assign FX into Mix channels
Delay	Up to 170 ms
Equalizer	Graphic EQ: Constant 1/3 octave, 28 bands from 31 Hz to 16 kHz, +/-12 dB Parametric EQ: 4-band fully parametric, 20 Hz to 20 kHz, +/- 15 dB Band 1: Selectable LF shelving (Baxandall), bell Band 2 & 3: Bell Band 4: Selectable HF shelving (Baxandall), bell Bell Width: Non-constant Q, variable, 1.5 to 1/9 octave
Compressor	Self-key sidechain Threshold: -46 to 18 dBu Ratio: 1:1 to infinity Attack: 300 μs to 300 ms Release: 100 ms to 2 s Knee: Soft or Hard Types: Peak manual, RMS manual, SlowOpto, PunchBag
Effects	Internal FX: 4x RackFX engines, Send>Return or Inserted Types: Reverbs, delays, gated reverbs, ADT, chorus, symphonic chorus, phaser, flanger 4x Dedicated Stereo FX Returns: Fader, pan, mute, routing to Mix/LR, 4-band PEQ

Audio Tools
PAFL	PFL or stereo in-place AFL 0 to -24 dB trim 85 ms delay
Talkback	Assignable to any mix 12 dB/octave HPF
Signal Generator	Assignable to any mix Sine, white, pink, bandpass noise
RTA	31-bands, 1/3 octave 20 Hz to 20 kHz Follows PAFL source