Si Performer 1 เครื่องผสมสัญญาณเสียงแบบดิจิตอล 16 Mono Microphone I/O, 80 Mix Ch, Four FX Busses and Lexicon FX Engine, Color Touch Screen Interface
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฿244,800.00 ฿159,000.00
Si Performer 1 เครื่องผสมสัญญาณเสียงแบบดิจิตอล 16 Mono Microphone I/O, 80 Mix Ch, Four FX Busses and Lexicon FX Engine, Color Touch Screen Interface
Soundcraft Si Performer 1 Digital Live Console is designed as a live sound reinforcement system for houses of worship, music venues, musicians, bands, theaters, touring companies, corporate events, and more. It is especially useful for applications wherein one operator will control both the sound and the lighting for a performance because of its integrated DMX controller and support for Soundcraft’s ViSi Remote App for Apple iPad.
The mixer features 16 recallable mono microphone preamplifiers over balanced XLR connections, 8 line inputs, AES digital I/O, 80 total mix channels, 20-sub group/aux busses, 4 FX busses, 8 matrix busses, 8 mute groups, 8 VCA groups, assignable insert loops, selectable delay on all I/O, Harman HiQnet integration, headphone monitoring, LCR panning, motorized faders with backlit LED Faderglow visual feedback to denote fader function, and a color touch screen interface.
The mixer utilizes EMMA DSP processors to provide the equivalent of 448 rack units worth of DSP including 4-band fully parametric EQ, four MX4000-based Lexicon stereo effects engines, and extensive dynamic processing. For customization it includes assignable faders, assignable patching, and flexible routing. The four mix busses utilize internal Lexicon FX processors for left/center/right micing, and each features a compressor, 4-band fully parametric EQ, graphic EQs, and delay.
An innovative feature of the mixer is the integrated DMX 512 control interface with full automation for simultaneously controlling a simple lighting display (spots and can color mixing with fader level) while mixing live sound.
The I/O of the mixer can be expanded with an additional 128×96 input/output paths through two ViSi Connect option cards (one 64×64 expansion slot and one 64×32 expansion slot). The cards accept a range of formats including the MultiDigital Card (Firewire/USB/ADAT), BSS Digital Audio Bus (BLU link), Dante, CAT5 or optical MADI, AVIOM, and CobraNet among others for integration with other live mixing and multi-track recording environments.
The available ViSi Remote iPad control application allows for the use of an iPad to adjust individual channel strip settings such as the EQ, compressor, Gate, Pan, LR/MONO, and phase invert switches to optimize the front of house mix.
I/O | 16x microphone preamps 8x line inputs 16x analog line outputs 1x Headphone output 1x Word Clock 1x MIDI in 1x MIDI out 1x AES IN 1x AES OUT 1x DMX OUT 1x HiQnet Ethernet Port & USB#2 2x Optional expansion card slots |
Expandability | Card 1: 64 x 64 input/output paths Card 2: 64 x 32 input/output pathsCompatibility MultiDigital Card (Firewire/USB/ADAT) BSS Digital Audio Bus (BLU Link) Dante CAT5 or optical MADI AVIOM CobraNet |
Frequency Response | Mic/Line input to any output: ±1.5 dB from 20 Hz to 20 kHz |
THD | Mic sensitivity -30 dBu: <0.01% at 1 kHz |
Noise | Residual noise -86 dBu Mic input E.I.N. (maximum gain): -126 dBu (150 ohms source) Mix noise, masters at unity: < -86 dBu 1 input to mix at unity gain: -84 dBu CMRR mic at 1 kHz (max gain): -80 dBu |
Crosstalk | Channel on attenuation: < 120 dB Channel fader attenuation: < 120 dB Mic – Mic: -100 dB at 1 kHz and -85 dB at 10 kHz Line – Line: -100 dB at 1 kHz and -85 dB at 10 kHz |
Input Gain | Mic gain: -5 to 58 dB integrated pad design in 1 dB steps Line trim: -10 to +16 dB |
Gate | Threshold: -60 to -6 dBfs Depth: -60 to -3 dB Attack: 0.1 to 200 ms Release: 20 to 500 ms Side-chain HPF: 22 Hz to 25 kHz Side-chain LPF: 160 Hz to 20 kHz |
Compressor | Threshold: -52 to -6 dBfs Ratio: 1:1 to 20:1 Attack: 0.1 to 200 ms Release: 5 to 900 ms Makeup Gain: 0 to 24 dB |
EQ Section | All bands: 22 Hz to 20 kHz, ± 15 dB with Q from 6 to 0.3 Shelf (HF):800 Hz to 20 kHz, ±15 dB Shelf (LF): 20 to 500 Hz, ±15 dB HPF: 40 Hz to 1 kHz |
Delay | User adjustable delay: 1 sample to 500 ms |
Graphic EQ | 31 Hz to 16 kHz, 1/3 octave |
Digital I/O | AES sample rate converter range: 8 kHz to 200 kHz External word clock in range 48 kHz ± 7 Hz (internal systems), ±3 Hz with stageboxes Word clock out jitter:± 7 ns Analog out for 0 dBfs: +21.5 dBu Converter resolution: 24-bit DSP resolution: 40-bit floating point |
Latency | Mic in to Line out: < 0.8 ms Analog in to AES out: < 0.6 ms AES in to line out: < 0.8 ms AES in to AES out: < 0.5 ms Stagebox mic in to stagebox: < 0.9 ms |
Levels | Mic input: + 22 dBu max Line input: + 22 dBu max Mix output: + 21.5 dBu max Headphones (at 150 ohms): 300 mW (recommended impedance of 32 to 200 ohms) |
Impedance | Mic input: 3 kOhms Line input: 10 kOhms AES input: 110 ohms Outputs: 150 ohms (balanced), 75 ohms (unbalanced) Word clock used as output: 50 ohms Word clock used as input: 47 kOhms AES Output: 110 ohms DMX: 120 ohms |
Power Consumption | <130 W |
AC Input | Voltage range: 88 to 246 VAC auto-sensing Frequency range: 47 to 63 Hz |
Lamp Power | 12 VDC: 100 mA max (per socket) |
Operating Temperature | 41 to 113°F (5 to 45°C) |
Storage Temperature | -4 to 140°F (-20 to 60°C) |
Humidity | 0 to 90%, non-condensing at 104°F (40°C) |
Dimensions (H x W x D) | 7.4 x 17.5 x 20.9″ (18.8 x 44.5 x 53.0 cm) |
Weight | 30 lb (13.6 kg) |