มิกเซอร์ดิจิตอล DIGICO SD11i Digital Mixer

ดิจิตอลมิกเซอร์ SD11i boasts 40 Flexi Channels (configurable as either mono or stereo) at 48kHz, which is the equivalent of 64 channels of full DSP processing

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Description

DIGICO SD11i Digital Mixer

ดิจิตอลมิกเซอร์ SD11i boasts 40 Flexi Channels (configurable as either mono or stereo) at 48kHz, which is the equivalent of 64 channels of full DSP processing

Think the SD11, but with a bit more of everything. Though aesthetically identical, the SD11i packs more of a punch in pretty much every department: every channel is now a Flexi channel; and we’ve crammed more processing power into the same 19-inch rack mount / table top shell, which makes the SD11i an even more powerful solution. Easily transportable and simple to incorporate into any mixing environment, this supercharged model delivers a very high performance at a fantastic price point.

ลักษณะเด่น:

  • 40 Flexi Input Channels
  • 12 Flexi Aux / Sub-Group Busses
  • LR or LCR Master Bus
  • 8 x 8 Full Processing Matrix
  • 2 Solo
  • 6 Dynamic Equalizers
  • 6 DiGiTuBes
  • 6 Multiband Compressors
  • 6 Digital FX
  • 12 Graphic Equalizers
  • Optional Waves Integration
  • 48/96kHz Sample Rate
  • Factory Order only Optics

Scratching the surface

Like the SD11, the SD11i is manufactured with the same steel chassis and polycarbonate-overlaid aluminium worksurface which makes it super-lightweight. Its user interface comes courtesy of DiGiCo’s trademark 15-inch, high resolution TFT LCD touch screen with backlit display; and its 12 touch sensitive moving faders guarantee a simple and intuitive workflow.

What’s under the hood

The SD11i boasts 40 Flexi Channels (configurable as either mono or stereo) at 48kHz, which is the equivalent of 64 channels of full DSP processing.

Standard channel processing, whether inputs or outputs, includes Channel Delay, Single and Multi Channel Presets, Dual insert points, Hi- and Lo-pass filters @ 24dB/octave, six-band parametric EQ with band curve selection, Dual insert points, DiGiCo’s DYN 1 (Compressor, De-esser or assignable Multi Channel Compressor) and DYN 2 (Gate, Compressor or Ducker).

The console also benefits from six Dynamic EQ processors, all of which can be assigned to any of the input or output channels. These powerful processors offer dynamic processing on each of the four standard parametric bands, plus there are also six Multiband Compressors and six DiGiTubes; and no matter how the console is set up, the user won’t lose any resources, as all channels are equipped to provide the same high quality signal path and feature set.

The master section incorporates 12 gangable 32-band graphic EQs, six stereo effects (selectable from a palette of 33), and eight control groups (VCAs); and using snapshots, engineers can now switch between complete configurations in any live environment easier than ever before, be it at rehearsals, during system setup, or even at a show.

In addition, we’ve included 12 Flexi busses (mono or stereo), all of which are assignable as mono/stereo groups or auxiliary busses; and in addition to these busses, for further configurability, we’ve provided an 8 x 8 output matrix, dual solo busses, and a Master buss. Essentially, users have the equivalent of 39 busses of DSP at their disposal.

Unlike all other digital console manufacturers, you don’t lose Aux or Group Busses when using the Matrix as they are in addition, including the Master buss.

I/O

For a little console, the SD11i’s I/O section is monumental: Local I/O includes 16 mic/line inputs, eight line outs, two mono AES/EBU, one MADI port, and one dedicated D-Rack port.

The D-Rack is an optional 32-input, eight-output remote I/O rack which can be increased to accommodate 16 outputs if desired.

There is also a factory fit Optocore option which allows for connectivity to all DiGiCo racks and consoles in a redundant loop.

In addition, there is an optional DiGiCo SoundGrid module which, when linked to an external PC server such as SoundGrid or DiGiGrid, provides the user with instant access to 32 fully integrated low-latency Waves stereo Multi Racks, each with the ability to have up to eight plugins per rack.  That’s 64 I/O – and as you’d expect from DiGiCo, this is all additional I/O.

All Waves compatible plugins are pre-loaded, and as this is integral within the console, you have the added advantage of touch screen control; and all shapshots and session files are saved within the console.

Options

The following options are available:

Specification

SD11i : Technical Spec

General

  • Faders 12 x 100mm touch-sensitive, motorised
  • Screens 1 x 15” (38cm) LCD high – resolution touch screen
  • Meters 12 x 8-segment LED bargraph
  • Input Channels 40 Channels (of which 8 can be flexi channels)
  • Busses 12 Mono or Stereo busses + LR or LCR master
  • Solo busses 2 stereo busses
  • Matrix 8 x 8 matrix (additional to busses above)
  • Control Groups 8, selectable for VCA-style, Moving fader, Mute Group
  • Graphic Eq 12 x 32-band, Gain +/- 12dB
  • Internal FX (SD11 4 Stereo FX processors), (SD11i 6 Stereo FX processors)
  • Local I/O 16 x mic/line on, 8 Line out, 2x AES/EBU I/O (mono)
  • MADI interface 1 x 75 ohm BNC connectivity
  • D-Rack interface 1 x RJ45 shielded connectivity
  • MIDI interface In / Out / Through
  • VGA port DB-15 mini-female (1024 x 768 resolution)
  • USB ports (3) USB2
  • Light connection (1) XLR3 1.2 – 12V
  • Ext Sync Word clock, MADI
  • Headphone TRS unbalanced / 8-600 ohms 1/4 inch Jack
  • GPI 2 x 1/4 inch Jack
  • GPO 2 x 1/4 inch Jack

Physical

  • SD11 Dimensions 483mm/19inch (w) x 577mm/22.7inch (d) x 232mm/9.1inch (h)
  • SD11 Weight 24Kg (53lbs)
  • D-Rack 412mm/16.22inch (w) x 312mm/12.3inch (d) x 179mm/7inch (h)
  • D-Rack Weight 7.4Kg (16lbs)

Audio Specification

  • Sample Rate: 48kHz, 44.1kHz or 96kHz
  • Processing Delay: 2ms Typical @ 48k (60 Stereo Channels, Stage Input Through L-R Buss to Stage Output) 1.1ms @ 96k
  • Internal Processing: Up to 40-bit, Floating Point
  • A>D & D>A: 24-bit Converter Bit Depth
  • Frequency Response: +/- 0.6dB (20Hz – 20kHz)
  • THD: <0.05% @ Unity Gain,: 10dB Input @ 1kHz
  • Channel Seperation: Better Than 90dB: (40Hz – 15kHz)
  • Residual Output: <90dBu Typical
  • Noise: (20Hz – 20kHz)
  • Microphone Input: Better Than -126dB: Equivalent Noise
  • Maximum Output Level: +22dBu
  • Maximum Input Level: +22dBu

Processing Channel Specification
Input Channel

  • Name: User-Defined / Presets
  • Channel Selection: Mono / Stereo / Multi
  • Input Routing: Main & Alternate Input
  • Analogue Gain: -20 to +60dB
  • Phase: Normal / Reverse
  • Digital Trim: -40 to +40dB
  • Delay: >1 Sec (Coarse & Fine Control)
  • DiGiTuBe: Drive 0.01 – 50.0
  • Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB/Oct
  • HPF: 20 – 20kHz, 24dB/Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band EQ: Parametric or Dynamic (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/
    Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-Band)Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold : 20us – 20ms
    Release : 1ms – 100ms
    Ratio : 1:1 – 50:1
    Ess-Band : Listen On/Off
    Ess-Band Filter Freq / Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB with
    Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any Source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Input, EQ, Dyn, Aux, Pan, Fade/Mute, Inserts, Buss, Directs,
    Full Safe
  • Output Routing: Buss, Insert A, Insert B, FX
    Direct: On/Off, Pre-Mute / Pre-Fade / Post-Fade, Level +/- 18dB
  • Fader: 100mm Motorised Fader ∞ to +10dB

Processing Channel Specification
Aux / Group / Matrix Output

  • Name: User-Defined / Presets
  • Phase: Normal / Reverse
  • Digital Trim: -20 to +60dB
  • Delay: >1 Sec (Coarse & Fine control)
  • DiGiTuBe: Drive 0.01 – 50.0
    Bias 0 – 6
  • LPF: 20 – 20kHz, 24dB / Oct
  • HPF: 20 – 20kHz, 24dB / Oct
  • Insert A: (Pre EQ/Dyn) On/Off
  • Equalisation: 4 Band Parametric or Dynamic
    : Parametric Only
    (Low/Lowshelf, Lower-Mid/Lowshelf, Upper-Mid/Hi Shelf, Hi/Hishelf)
    On/Off
    Freq; 20 – 20kHz
    Gain; +/- 18dB
    Q: 0.1 -20 (Parametric) / 0.10-0.85 (Shelf)
    Dynamic EQ On/Off
    Over/Under
    Band On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
  • Dynamics 1: Single or Multiband (3-band)Compressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel / Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    Knee : Hard, Med, SoftDe-Esser: Threshold: 20us – 20ms
    Release: 1ms – 100ms
    Ratio: 1:1 – 50:1
    Ess-Band: Listen On/Off
    Ess-Band Filter Freq/Width: 20Hz – 20kHz
  • Dynamics 2: On/OffGate / Ducker: Threshold; -60 – 0dB
    Attack; 50us – 100ms
    Hold; 2ms – 2s
    Release; 5ms – 5s
    Range; 0 – 90dB
    Key; Any Source
    Key Listen
    Freq/Width; 20 – 20kHzCompressor: On/Off
    Threshold; -60 – 0dB
    Attack; 500us – 100ms
    Release; 10ms – 10s
    Ratio; 1:1 – 50:1
    Gain; 0 to +40dB
    with Autogain Option
    Link; Any Channel/Buss
    Hi Crossover; 20Hz – 20kHz
    Lo Crossover; 20Hz – 20kHz
    S/C Source : Any source
    S/C Listen : On/Off
    S/C Filter Freq/Width: 20Hz – 20kHz
  • Insert B: (Post EQ/Dyn) On/Off
  • EQ/Dyn Order: EQ/Dyn or Dyn/EQ
  • Mute: Channel Mute / Hard Mute
  • Solo: Solo Buss 1 / Solo Buss 2 / Both, Auto Solo
  • Channel Safe: Trim, EQ, Dyn, Fade/Mute, Inserts, Outputs, Full Safe
  • Output Routing: Outputs, Insert A, Insert B, FX
  • Fader: 100mm Motorised Fader ∞ to + 10dB

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