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Rupert Neve Designs Shelford 5051 Inductor EQ and Compressor

อีควอไลเซอร์,คอมเพรสเซอร์ Neve Shelford 5051 combines a classic 3-band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor

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฿135,000.00 ฿94,500.00

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Description

Rupert Neve Designs Shelford 5051 Inductor EQ /Compressor

อีควอไลเซอร์,คอมเพรสเซอร์ Neve Shelford 5051 combines a classic 3-band EQ based on Rupert’s vintage designs with the power and flexibility of the Portico II compressor

The Rupert Neve Designs Shelford 5051 Inductor EQ and Compressor combines the classic 3-band EQ from Rupert Neve’s vintage circuit designs with the flexibility and power of the Portico II compressor. Using a fully discrete class-A signal path combined with high-performance input and output transformers, the combination EQ and compressor upholds the world renown reputation of the master circuit designer.

The EQ section
of the module uses a custom-tapped inductor with selected capacitors to form the mid-range equalizer band and the shelf curves are based on Neve’s vintage Modules. Each of the EQ sections uses a low feedback class-A discrete electronics to prevent low-level artifacts from distracting from the tonal shaping of your signal.

The high and low bands can be switched from shelf to peak curves and both offer 15 dB of boost or cut. The high band can be switched from 8,000 to 16,000 Hz and the low band can be set to 35, 60, 100, or 220 Hz. The mid band offers six center frequencies at 200, 350, 700, 1500, 3000, and 6000 Hz. The mid band also features a high peak switch to narrow the bandwidth or increase the Q of the filter. An 18 dB/octave high-pass filter with two corner frequencies that can be toggled between Off, 60, and 120 Hz.

The EQ can be switched to pre or post compressor in the signal chain. It also allows for the two XLR balanced inputs on the back of the unit to be switched from the front panel which allows setups such as having a mic preamplifier and a line input from a DAW to be pre-patched and selected at will.

The compressor section
of the module uses a discrete class-A signal path from the Portico Series of signal processors with individual control over threshold, attack, release, make up gain, ratio, side chain HPF, Feed-Forward/Feed-back selection and Peak/RMS detection modes. If you deactivate the compressor the unit can be used as a transformer-coupled high-performance line amplifier.

The compressor has the ability to switch between feed-forward and feed-back operation, and two modules can be linked together for stereo operation. The unit is intended for use with 5088 consoles or with 5285 vertical frames. There are two ±24V power supply options. One 5-way power supply can be placed at the bottom of the rack or a separate 25-way power supply in a 2U enclosure may be used. Using the external module provides clean power with less heat build-up within the modules associated with the DC to DC up-conversion.

rupert-neve-designs_5051_vertical_2

  • Classic Neve EQ Sound
  • Compressor Design from Portico Series
  • Discrete Class-A Circuit Design
  • Selectable HF Shelf or Peak Filter
  • Mid-Band Parametric EQ
  • Side Chain High-Pass Filter
  • EQ Before or After Compressor
  • Feed-Forward/Feed-Back Operation
  • Link Two Modules for Stereo Operation
  • Two Ways to Power

 

Features

MIC GAIN

A 12-way precision rotary switch controls gain from 0 to 66 dB in 6 dB steps.

TRIM

Continuously variable +/-6 dB level control.

+48V

Engages phantom power on the microphone input, as supplied by the 500 series rack.

POLARITY

Push button inverts the polarity of the signal path, and illuminates when engaged. The symbol “Ø” is often used to denote opposite polarity.

HIGH PASS FILTER

The high pass filter is continuously variable from 20-250Hz and engaged by the HPF switch, which illuminates when engaged. It is a valuable aid in any signal chain, but particularly so in a microphone preamplifier. Signals below the selected frequency are attenuated at a rate of 12db / octave, getting rid of proximity effect, building rumble, air handling, motor hum, etc.

SILK / TEXTURE

Pushing the Silk button engages the red Silk circuit, which reduces the negative feedback on the output transformer, adding harmonic content as the texture is increased. Red Silk accentuates the saturation in the mid and high frequencies, similar to that of the red silk mode on the Portico II Channel. By manipulating the Texture control, the amount of Silk can be changed from essentially absent, to roughly 10 times the amount of coloration / distortion found in Silk from the original Portico Series. With Silk / Texture engaged, the distortion characteristic and harmonic content of the unit are very reminiscent of many of Rupert’s class-A vintage designs.

LEVEL METER

An Eight-segment LED bar-graph meter displays output level (pre-Silk). The color range proceeds from green for lower level signals, yellow for intermediate signals, and red for high levels. When the 511 is clipped, the highest red LED will hold longer depending on how far above the clip threshold the signal was.

Specifications

Rupert Neve Designs Shelford 5051 Inductor EQ /Compressor

System
Frequency Response Main output, no load: -3 dB at 2,500 Hz
-3 dB at 125,000 Hz
Noise Measured at main output, unweighted, 22 to 22,000 Hz, terminated at 40 ohms with gain at unity better than: -102 dBu
Maximum Input From 20 to 20,000 Hz: +25 dBu
Maximum Output From 20 to 20,000 Hz: +25 dBu
Total Harmonic Distortion/Noise From < 10 to 80,000 Hz
At 1,000 Hz: +20 dBu output: better than 0.002%
At 20 Hz: +20 dBu out better than 0.120%
At 20,000 Hz: +20 dBu out better than 0.010%
Equalizer
Noise Measured at main output, unweighted from 22 to 22,000 Hz with 40 ohm termination and all gains set at 0: better than -92 dBu
Maximum Input From 20 to 20,000 Hz: +24.5 dBu
Total Harmonic Distortion/Noise From < 10 Hz to 80,000 Hz
At 1,000 Hz and +20 dBu output: better than 0.007%
At 20 Hz and +20 dBu output: better than 0.120%
At 20,000 Hz and +20 dBu output: better than 0.070%
Compressor
Noise With threshold at +20 dB, Ratio at 1.1:1, Gain at 0
Measured at main output, un weighted, 22 to 22,000 Hz and terminated at 40 ohms: better than -92 dBu
Maximum Input With threshold at +20 dB, Ratio at 1.1:1, Gain at 0
From 20 to 20,000 Hz; +25 dBu
Maximum Output From 20 to 20,000 Hz: +25 dBu
Total Harmonic Distortion/Noise With threshold at +20 dB, Ratio at 1.1:1, Gain at 0
From < 10 to 80,000 Hz
At 1,000 Hz and +20 dBu output: better than 0.020%
At 20 Hz and +2- dBu output better than: 0.140%
At 20,000 Hz and +20 dBu output better than: 0.070%
Threshold Continuously variable from -30 to +20 dBu
Ratio Continuously variable from 1.1:1 to 40:1
Gain Continuously variable from -6 to +20 dB
Attack Continuously variable from 20 to 75 ms
Release Continuously variable from 100 ms to 2.5 seconds
General
Dimensions Not specified by the manufacturer
Weight Not specified by the manufacturer

โทร. : 022031821 , 026414744 ext 13
สายด่วน : 099-8759336, 081-2399040 (Eng), 089-6915832

Line : @soundspacethai

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